Lighting an Octopus to tell a story ft. Pocketwizard Hypersync

By on July 7, 2013

It’s not very often that someone comes up to you and asks you to slap some seafood on their face so when Jen Brook enlisted me to take part in her Dreamcatcher project I jumped on the opportunity.

The shoot was an adventure start to finish – from sourcing our octopus, changing locations the day of because the rocks we had scouted two days before had flooded over, to actually crawling all over the wet slippery rocks to get the shot. To get the highly entertaining read to finish, I invite you to read the story from Jen’s perspective on her blog.

 

Small announcement: ThePrintSpace is actually hosting a 9×16″ Kodak Metallic print giveaway of the Shipwrecked shot! Check out the post on facebook for giveaway details!

Check out the BTS video to see some live octopus action, graciously provided to us by Nicolas Beauchemin:

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What makes a photographer unique is in the way they see the world around them and how they choose to capture it.

In the three shots taken that day, they were all taken at the same location. You’ll notice in all three shots a long thick branch crossing the image… yet a combination of focal lengths, lighting techniques and storytelling elements make them completely different images.

Techniques should be thought of as tools to carry forth a vision and not be used as the concept itself.

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So what are the techniques that were used?

1) Shallow depth of field + Flash in daylight. Solution? Hypersync

 

Octopus model vonwong jenbrook

Face your fearNikon D800E | 70-200mm f2.8 | 1000 sec at f2.8, ISO 100 | Flex TT5 |AC3 | AC9

For me, I wanted to make sure that all the attention and tension that a person would feel from ripping an octopus off ones face could be clearly captured.

The environment was important just to set a mood, but not more important than to tell a story which meant that I would want to shoot with a shallow depth of field as well as use a longer lens to help compress the perspective and blur the background out even more.

The lighting that day was cloudy and at the time of the shot we had a very flat even lighting which meant no harsh shadows – Great! But that also meant that the lighting on Jen would be flat and unexciting. The solution? Strobes!

A quick lighting test with my D800E told me that I would be shooting at ISO100, f2.8 and 1/1000th. Classic sync speed for strobes is 1/250th but thanks to Pocketwizard’s Hypersync (using the Flex TT5 for those of you who are curious), I was able to get a 1/1000th with my X1600 with relatively little loss of power.

And just like that, by tossing a strobe directly over Jen, we managed to carve her out just a touch from the background, making all the difference in the image.

Lightingsetup 1 vonwong

2) Water in movement, character in focus. Solution? ND filters + Strobe!

 

Shipwreck castaway girl vonwong jenbrook

ShipwreckNikon D800E | 24-70mm f/2.8 | 1/5 sec at f8.0, ISO 150 | Flex TT5 |AC3 | AC9 | Lee filter Bellows | 3 stop ND filter

Since Jen only needed one shot with the octopus for her concept, we figured that I might as well make use of the opportunity to tell a story of my own which is where the idea of a shipwreck came about. Right before leaving from home, I went scrounging around in the garage and found an old lantern, some chains and pieces of wood that were lying around the house that I thought would make some great props to imply a shipwreck.

We tossed the pieces around the set, keeping in mind the rules of composition and had Jen find a position that she could actually comfortably hold without moving too much.

I knew that I wanted to shoot a wider shot but decided that I wanted to avoid the distortion that a 14-24 would give me and settled for the 24-70.

I had decided in my mind that having the waves wispily wrapping around Jen would really bring the mood and flavour of the image together and used the image as an excuse to finally squeeze the wallet to treat myself to a proper 3 stop ND filter and a holder. An ND filter, for those of you who don’t know what it is, actually is the equivalent of sunglasses and just dims the entire image down which allows you to shoot brighter scenes at a longer shutter speed.

The reason I went for a proper square filter as opposed to a Variable ND was that in my experience, there was a distinct loss in sharpness to images created with a Variable ND. Besides, Joey L uses them and he’s awesome.

Combining flashes with ND filters is always a challenge because by knocking down the ambient light you also knock down flash power. I had to toss my strobe on max power and figure out what the longer shutter speed I could get with the highest possible aperture to have everything properly exposed.

From there, it was simply about waiting for the right wave to hit to get the right texture in the water.

3) Transform day to night, light an unlit lantern. Solution? ND filters + Strobe + gels!

 

Lantern water model vonwong jenbrook

CastawayNikon D800E | 24-70mm f/2.8 | 1/80 sec at f6.3, ISO 50 | Flex TT5 |AC3 | AC9 | Lee filter Bellows | 3 stop ND filter

For the final shot of the series, I wanted to create some kind of a sequence to the previous shot… perhaps our heroine picking herself up from the shipwreck and wandering off into the darkness with the red lantern that I had brought.

A couple problems: We’re still in the middle of the afternoon and there was no way to light the lantern (and even if we did it wouldn’t look good).

Luckily, I had my 3 stop ND filter to knock down the sun, completely underexposing the environment.

To light Jen back up, we used the same x1600 in the octobox but this time simply added my Elinchrom Ranger Quadra with an orange gel on a Mogopod coming in from the side to imitate the lighting that would come from a light.

The final touch was done in post production, I added the rain streaks and the lantern’s glow back using Photoshop. If I hadn’t used a strobe, I wouldn’t have gotten the natural highlights on the water, dress, face and hair! 5 seconds of setup, awesome result!

In conclusion

If there’s a technique that you’ve always wanted to try out, why not get out there and actually make it happen! Build a story around an effect, and your images will be that much more powerful. And if you fail?

Well… as Thomas Edison once said, I failed my way to Success.

Credits:
  • A Von Wong and Jen Brook project
  • Assistants : Allison B, Jefferey Vincent Malo, Andre DF, Julius Adarna, Guillermo Castellnos
  • BTS video: Nicolas Beauchemin

Announcements:

  • Just got the most amazing tripod ever from 3 legged thing. Check it out.
  • I’m hunting for an intern, are you interested? Read more here
  • Upcoming workshops in Vancouver, Dallas and Malaysia… stay updated here
  • Finally got some prints up for sale on 500px!

Special Gear used:

See what else is in my camera bag when I travel!

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  • http://www.grisneutrestudio.com/ Antoine Willaeys

    Magnifique… Juste magnifique. Je m’incline là !

    • http://www.vonwong.com/ Benjamin Von Wong

      meshi!

  • kenyee

    Awesome…that’s one way for Jen to get over her fear of calamari :-)

  • Ryan Cooper

    Freaking amazing Ben! All three images are just breathtaking. Some of your best work in my opinion. (And you have a lot of ridiculously good work ;) )

    • http://www.vonwong.com/ Benjamin Von Wong

      Thanks Ryan, glad you like it!

    • Ryan Cooper

      Question, what filter holder and lens hood system are you using in the BTS video?

    • http://www.vonwong.com/ Benjamin Von Wong

      Lee Universal Filter Holder (bellows)

      link is in the gear section at the bottom of the post. and linked under every image!

    • Ryan Cooper

      Ha! I probably should have read the post! hahaha, I read the one on SLR lounge and just came to your blog to comment

      thanks!

  • damianvines

    Really fantastic concept and excecution. Curious about what white balance you used in camera, especially for the Castaway shot. Thanks!

    • http://www.vonwong.com/ Benjamin Von Wong

      Auto white balance. The orange came from the gels that’s all. I added blue tones in the shadows using curves.

  • Scott

    Great images Ben. When using hypersync, how did you avoid the thin black bar in the image that starts to show up at 1/1000 of a second. Did you take a slightly wider shot and crop it in? If not, how did you resolve it?

    • http://www.vonwong.com/ Benjamin Von Wong

      I just ignored it. The thin black bar happens on the TOP of the image. You’ll notice that the top of my image is not influenced by the flash so it actually doesn’t matter. Knowing your gear you can kinda cheat it :)

      So ya i think there was also a bit of cropping. Go D800 with 36 mp!

  • Nita Read

    Ben, when I grow up I wanna be like you! Now, I want to get my first proper studio lighting instead of using off camera flash. Been looking at the Elinchrom D lite RX4 as it seems like got everything i need and good price, but looking at your work and most of times you have been using your elinchrom ranger quadra li-on kit. Do you think, if i want to have some work like you do, i better save up my money to get that kit instead of getting the basic kit? I wonder what is your first lighting set purchased. :) I have lots of dreams like you but i got completely lost in the lighting world. Thank you in advance for your help, and yeah, you are amazing, i guess you know that already. :D

    • http://www.vonwong.com/ Benjamin Von Wong

      Hello Nita, it really depends if you plan on being mobile. The Rangers are a little bit less powerful but a lot more portable.

      My first lighting kit purchased was the Paul C Buff line, it was a lot cheaper… actually before that I started off with Nikon speedlights! Hope that helps :)

    • Nita Read

      Thank you very much Ben, i have two nikon speedlights sb900 and sb700 already and just want to step up with proper studio light. I think i better save up my money for that kit than, and also i have d90 + d7000 and now thinking to step up in full frame to d800 as well (yup, i ll copy cat you all the way, hahahaha..). So, everything i want just seems to be around $3000 :-O, and i just spent around that much on macbook pro retina 15″ retina display. lol. Have a great week. x

    • http://www.vonwong.com/ Benjamin Von Wong

      haha well, i’m really hoping to try out the S heads that are cheaper but that work better with hypersync. The elinchroms are great but they do come with limited power so you have to choose your weapons carefully :D

  • ed

    awesome work as usual

  • http://oacdesigns.com/ Oisin Conolly

    absolutely amazing…which is to be expected of Von Wong.
    The last shot really blew me away, considering how little post was required.
    Turning day shots into night is something I’ve yet to experiment with…and this have inspired me to give it a go.

  • Jay Fisk
  • Talleyrand

    Any season photographer or Director of photography will tell you it is not about the technique but the image. One should try http://en.wikipedia.org/wiki/LOMO

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