It was the first time that I was going to get the opportunity to shoot with a Hasselblad, and I was understandably excited given the hefty price tag and un-rivaled quality of the images that it was rumoured to produce. How did the 30,000$ 40 MP beast compare to my 3,000$ 36MP D800E? I’ll let you decide.
In last weeks post, I detailed how the entire photo-shoot fell into place, this week’s post is going to be a little bit more technical: Gear, Lighting and BTS!
For those of you that missed it, the BTS video shot by Kumbukkage Shriyantha Tory Wimalasekera
Disclaimer: I am not sponsored by either Nikon or Hasselblad. Whatever I say below is just my honest opinion. Take it or leave it.
How many of you have dreamt of shooting Medium Format? That whole “one day I’ll be able to afford it… or maybe just play with one” mentality. Well, I was kinda in that exactly situation back in October so when BorrowLenses said they’d send me a H5D to shoot with, I was ridiculously excited.
This wasn’t the first time that I got to play with a Medium Format camera. I had the privilege of toying around with a Phase One IQ140 at another workshop I gave back in Vancouver but since it was a workshop, I didn’t get to seriously put much time into it. All I remember, was being ridiculously frustrated at the 3 slow inaccurate focusing points, and the speed at which the device handled.
Bracing for the worst, but hoping for the best… I whipped the H5D out of the box.
So what’s it like shooting with the H5D?
In a word: Awesome.
The controls are extremely simple to access, the weight well distributed despite being significantly heavier than that of a D800E and ergonomically quite comfortable… and when that shutter clicks, wow! Somehow each shot just felt like it had more weight to it.
The True-Focus of the Hasselblad (single centre focus point that recalculates when you tilt the camera to frame your shot) actually works. The fact that it’s a slower camera didn’t bother me quite so much, as I’ve been looking to pay more attention to details so slowing down wasn’t a big bother to me and the fact that I could sync the camera past 1/250th even though I never ended up needing it in this particular shoot) meant that I’d get more power out of my small little ranger packs while maintaing a shallow depth of field. Most importantly, shooting with the Hasselblad on location in the massive viewfinder felt like I suddenly had more breathing space in my image. Maybe it was just my imagination but while creating these images… I just felt that the shallower depth of field due to the larger sensor really gave that extra breathing room to my images.
Can you tell the difference? Which was shot with the H5D and which with the D800E?
Invaluable as all these functions were, there were some drawbacks. ISO performance for anything above 200-400 would become ridiculously grainy especially when the shadows are pushed… and the autofocus abilities of the Hasselblad become completely unusable as the sun began to set. The camera, despite its price tag, is not weather sealed, and perhaps most significantly, I didn’t notice a particular increase in dynamic range or a significant difference in resolution between the D800E and the H5D-40. (Check out the more technical comparison that The Camera Store did a while back.) Finally on a sharpness scale, I was completely incapable of telling the difference between the two files.
All my shots from this shoot were cropped at a 4×3 ratio, and edited to look as similar as possible. I specifically wanted these shots to be unrecognizably Nikon or Hasselblad because at the end of the day, clients don’t care what tools you choose to use so long as you’re able to deliver amazing consistent results.
So what does this all mean?
The H5D and the D800E at the end of the day are two different classes of camera. In the same way that my Fuji x100s and X-Pro 1 will never replace my D800E, neither would the H5D (assuming I owned one). They each have different duties to fulfil, and each have their own strengths and weaknesses.
More important than resolution, and other minute details such as sharpness, bit depth and all the other technical jargon to me are the sensor size and higher sync speed capabilities that make the difference between getting or missing the shot that make me want to add the Hasselblad to my arsenal of gear.
Is it worth 30,000$?
Well, for me, at the moment… No. Renting seems to make much more sense – choose the body, digital back and lenses you need job specifically. The D800E is an amazing camera and I’m completely outfitted with Nikkor, but in the event that I do find myself needing those specific MF traits, I now know how to use it, what to expect and where I can rent it.
And that, in my opinion, is more important that dreaming about owning one, one day.
And some BTS provided by Edward Lian Photography
- Model: Heather Phoi, Rick Tetu, Chelsea Sarbach, Mariela Martinez, Dan Jopling, Meredith Ewan, Matthew Freburg
- Costume design:
- Makeup: Frances Perry, Kelly Zak
- BTS Video: Kumbukkage Shriyantha Tory Wimalasekera and SmugMug‘s Anton Lorimer
- Equipment Sponsored by BorrowLenses.com
- Assistant Director/Producer: Kelly Zak
- Concept: Kelly Zak + VonWong
- VonWonglings: Christopher Watson, John Koseenanonth, Tony Guillaro, Gilmar Smith, Laurent Coppee, Clyph Jean-Philippe, Kyle Mould, Edward Lian, J.W. Hendricks, Raffaella De Amicis
- Upcoming workshop in Singapore!! Click to learn more.
- SmugMug promo code VONWONG20 available!