Craziest photography challenge….ever
What’s the craziest photography challenge you’ve ever encountered? I just got tossed mine: To shoot and edit an insane image involving two orcs, a witch king, warrior, villager and a cinema theatre… all in 4 hours without having any information ahead of time.
TLDR: Scroll down and check out the full size images & check out my new article on 7 tips to succeed in an unplanned photoshoot!
While at a conference in Paris, a buddy of mine pointed out that a curious fellow by the name of Sebastien Roignant was surrounded by a small army of fans was going to be one of the attendants of an upcoming workshop I was going to be giving. Curious to see if he would recognize me, I snuck up on him pretending to be just another awestruck fan… unfortunately, I was immediately recognized. Maybe it was the hair.
We chatted briefly and it turned out he was a fellow v-logging photographer. One thing led to another and before I knew it he agreed to feature me on his vlog: f/1.4 – A pleine ouverture.
He would choose and set up location, theme, models and styling and I would have to shoot and edit the entire thing within 4 hours. Oh. And he wasn’t going to give me any hints of what the shoot was going to be about until D-day.
It’s a funny feeling to be tossed into unexpected situations… imagine that you were covering a wedding and the bride cries out “hell no” instead of saying “I do”, what do you do? That’s kind of how I felt when Sebastien drove me up to a cinema theatre next to a bunch of people unloading these massive Warhammer orc costumes.
In general, people tend to be relatively predictable and given the fact that Sebastien only had two weeks to toss the entire challenge together, I figured that it couldn’t be anything too complicated. In my mind, I’d have a decent location… two… maaaybe three models and that it would be up to me to make something happen with the limited resources available. Since I only had a few bare speedlights with me I knew that lighting wasn’t going to be anything too fancy so I was going to rely on some fancy compositing to make things exciting.
I was wrong.
No worries, I told myself. I’ve dealt with unexpected situations before and was confident that I’d figure things out sooner or later.
The minute the car was unloaded, I started poking around at the costumes and getting to know the cast. While I probably looked carefree and mildly insane (as the video seems to suggest), my mind was racing at a 110 miles per hour. If I had a device plugged into my brain, this is more or less what it would sound like:
How many models did I have? What did the costumes look like on them? Where could I shoot? What was the story that I could tell? Where was I going to be shooting? What could I do for special effects? WHAT I only have 3.5 hours remaining?!? Get the models to dress up right away. Unpack lightstands. Prepare triggers. Prepare speedlights. Take out tripod. Switch on camera. Check on model, how much longer left? Good. Hi. You’re my assistant? What’s your name? Nice to meet you Anais. Know how to set up lights? No? Just grab those. Begin framing shots. Theatre. What’s cool about theatres. Maybe 3D? What about a 3D effect. What’s the story. Orcs in Theatre coming to life? Maybe? What’s the entrance of the theatre like? Hm. Reflections. Ambient. I’ll need my flashes. Anais, grab flashes please. Yes. Those things on the three legged thing over there. Oh hey! You guys are part of the shoot too? what’s your character? Witch king? Please get dressed. Flashes here. Need three point lighting, balanced with ambient. Looks like an ISO 100 5.6 about. Get some depth of field. Click. About right. Need flashes, bare, … about 1/4 power here, 1/8th power rear speedlight… Oh hey special effects would be cool. What can I throw around, hm. Leaves! Can you guys grab some leaves from outside please? So where was I. Ah, speedlights. Right need a bit more power, want them to recycle fast. Bump ISO up to 200, f6.3. Click. Looks half decent. Tripod. Framing. K so wide angle should be about right, distortion to make it look like things are popping out. Does this perspective work with the theatre? Run back into theatre. Frame. Click. Hm. Should work. How much longer for makeup orcs? Can you make yourself look a bit bloodier? Great. Thanks. Gah this perspective doesn’t really work! *move* Alright… I think this works. Leaves are here. Ah! Great. Let’s toss them around, I want some movement! Yes lighting is about set. Let’s go. Time check? Good, on schedule.
… and that was the first 30 minutes.
It’s hard to remember specifics of what happened after that as everything blended into a whirlwind of action but to make up for my lack of memory, I’ve written out an article to help you guys out in the event that you end up in a similar situation:
So how did I do?
Well, to be very honest I’m not entirely satisfied with what I did as it didn’t actually yield a portfolio-worthy final result. If you pay close attention to the final image in the high rez version you’ll quickly notice all the small details I missed out on and I don’t think the image is as readable as I would have liked. That being said, I am quite proud to have been able to throw something together, make use of the entire set AND toss together a crazy composite with over seven massive d800E files in such a short time frame.
The challenge continues!
For those of you who watched the video, at the end of the challenge, I decided to throw a challenge straight back at Sebastien – For us to take the same images from the shoot and take as much time as we wanted with no constraints to create a new final image.
On my end I wanted to do something almost hyper-realistic… believable. Oh his end, something a lot more fantastic. I’d highly invite you guys to download the full-rez versions to compare (link under each photograph) and leave us a vote on which one you think is best!!
Leave a comment at the end of the blog post and have a chance to win a Von Wong Bracelet! Contest closes at midnight next Wednesday!
Click for High-rez download
Von Wong’s Version:
And for the gear heads:
- 1x Nikon SB-900: B&H
- 1x Nikon SB-800
- 1x NIkon SB-700: B&H
(*yes… I have one of each… don’t ask -_-’)
- 3x Pixel Pawn Triggers sponsored by LOVINPIXCamera Gear:
- Sirui Tripod T2205X sponsored by LOVINPIX
- Nikon D800E: B&H | Amazon
- Nikkor 14-24 f2.8: B&HAudio Gear:
- Zoom H4N: B&H
- Seinheiser G3: B&HBag:
- ThinkTank Airport International V2.0 (best bag ever) B&H
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